Falstaff
Intro
Falstaff
Richard Wagner (1813 - 1883)
From 14/12/2008 in Antwerp - from 08/01/2009 in Ghent
- Musical direction: Enrique Mazzola
- Director: Giorgio Barberio Corsetti
- Sir John Falstaff: Bruno Caproni
- Mrs Alice Ford: Ana Ibarra
- Ford: Werner Van Mechelen
- Mistress Quickly: Elzbieta Ardam
Verdi’s final opera is a brilliant riposte to Gioacchino Rossini’s
suspicions that his colleague was too serious and melancholy to ever
create a decent opera buffa. With Arrigo Boito’s libretto, the
old master had finally come across the comedy which, in his own words,
he had been looking for, for over 20 years. Boito, with whom Verdi had
already worked in composing Otello, inspired new creative
energy in the maestro. Verdi’s music subtly follows all the nuances of
the text like never before. And at every moment, the composer surprises
the audience with an endless variation of colourful, melodic impulses.
Falstaff is a playful anarchist of several years who turns the
conservative town of Windsor on its head with his bingeing and brutal
demeanour.
When he is again confronted with en empty purse, he decides to allow
himself to be courted by two well-to-do ladies. The identical love
letters he addresses simultaneously to Alice Ford and Meg Page set a
crazy merry-go-round of intrigue in motion, the results of which are
anybody’s guess and where the outraged citizens are shown a disquieting
reflection of themselves. Verdi’s departure from his rich opera career
combines, in inimitable fashion, all the elements of a positive life
energy, the mild manner of an old humanist and his unconditional love
of humanity. The philosophical conclusion is thus:
Tutto nel mondo è burla or
Everything in the world is madness.
Practical
Surtitles: Dutch.
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