
Intro
Three fugitive criminals found the city of Mahagonny in the desert, which is really a snare and money pit. Goal: make as much money as possible off other people and gather a fortune without working. Mahagonny wants to be paradise city, a place of unbridled enjoyment, a symbolic caricature of absolute freedom. During the threat of a hurricane there is total anarchy, turning the promised heaven into a living hell. Bertold Brecht translated the text for a wide public; Kurt Weill complemented it with jazzy music and parodies of classics.
Coproduction with Oper Graz.
Attention: due to copyrights Mahagonny's libretto exceptionally cannot be published in the programme.
Language: German. Surtitles: Dutch.
Tickets from € 10.00 to € 95.00
Team
Brecht and Weill were a successful opera duo until both artists had to flee Nazi-Germany. Mahagonny was their last piece together. Sensational Spanish theatre director Calixto Bieito is directing this satire and house conductor Yannis Pouspourikas is in charge of the music. Audience favourites from previous seasons such as: Noemi Nadelmann (Marie from Wozzeck) and Leandra Overmann (Ljubov from Mazeppa) share the stage with newcomer John Daszak, one of Engeland's most versatile tenors, to name but one.
Media
Publications

CD
Wilhelm Brückner-Rüggeberg / Heinz Sauerbaum / Lotte Lenya / e.a.
NDR Sinfonieorchester Hamburg
Sony 88697856212
BOOK
Ronald Taylor
Simon & Schuster, London, 1991
Een meeslepend geschreven biografie van Kurt Weill die de dubbele carrière van de componist in Duitsland en de States op een bijzonder heldere manier uit de doeken doet.

DVD
Dennis Russell Davies / Peter Zadek / Jerry Hadley / Catherine Malfitano e.a.
Radio-Symphonieorchester Wien
Arthaus Musik 100092

BOOK
In the press
07 Dec 2011 - Opera
John Daszak’s firm, focused tenor was ideal for Jim's night-time railing against the coming of the light before his trail, and Noemi Nadelmann (Jenny) gave a splendid lead to her sextet of whores for the famous ‘Alabama Song’. Among the smaller roles, William Berger’s Bill made the biggest impression, his fine, tawny baritone a particular delight.
Future opera productions

25 May

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07 Feb

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11 Apr

11 Jun