
Titres les plus importants
Lucrezia Borgia, Elegy for Young Lovers, Bluebeard’s Castle, Butterfly (English National Opera); Punch and Judy (ENO, Genève); Pelleas and Melisande (Mariinsky); The Soldier’s Tale (Chicago Symphony); Madama Butterfly, Faust, Carmen, Peter Grimes, 125th Gala (New York Met); Eugene Onegin (LA Opera/Royal Opera House, Covent Garden); Passion (Minnesota Opera); La Cenerentola (Glyndebourne); Carmen (also set design), Petrushka (Scottish Ballet); Il Trovatore (Paris); Fidelio, Two Widows, Don Giovanni, The Ring (Scottish Opera); The Midsummer Marriage (Chicago Lyric Opera); The Bartered Bride (Royal Opera House, Covent Garden); The Return of Ulysses, Luisa Miller, Tannhäuser, Falstaff, Eugene Onegin, Katya Kabanova, Fidelio, Madam Butterfly and the concert staging direction and design for Die Walküre and Das Rheingold (Opera North)
Theater: Jumpy, Top Hat, Absent Friends, Much Ado about Nothing, The Lion In Winter, The Misanthrope, Carousel, Fiddler on the Roof (West End); Betrayal (Sheffield); Cock (Young Vic, New York), Pictures from an Exhibition (Young Vic); Parlour Song, Hedda Gabler, Cloud Nine (Almeida); All’s Well That Ends Well, The Reporter, The Hothouse, Exiles (National Theatre)
Prix
Olivier Award pour ses réalisations exceptionnellesen danse, 1995
Olivier Lighting Award pour The Bacchai (National Theatre), 2003
Knight of Illumination Award pour Sucker Punch (Royal Court), 2010
Engagements récentes et projets futures
The Damnation of Faust (ENO, Vlaamse Opera)
www.petermumford.info
Dernier mise à jour sur 14 août 2012