“Samson et Dalila, says one, is as much oratorio as opera; here it's gripping theater, easily the most dramatic of the fice productions I've seen.”

“The stage directors and the Vlaamse Opera choristers and dancers merit high praise for the intensity of the crowd scenes.”

“Kerl's tenor remains secure and powerful, with a ringing top and the ability to express keen anguish. Tarasova sings consistently well and seamlessly troughout her range, is a strong actress and still looks smashing. They are costumed to blend in with their peoples, not to stand out, and they are perfectly fine for this staging (...)”