12/05/2000 in Antwerp - 19/05/2000 in Ghent
- Musical direction: Marc Albrecht
- Director: Guy Joosten
- Oedipus: Anthony Rolfe Johnson / Bruce Rankin
- Jocasta: Yvonne Naef / Livia Budai
- Creon: Knut Skram
- Tiresias: Jaco Huijpen
Around 1920, Stravinsky, like Darius Milhaud and Arthur Honegger,
became fascinated by a new interpretation of ancient narrative material.
Sophocles’ tragedy about human pride and disbelief was transformed into
a scenic ritual of monumental proportions. This is further reinforced
through the use of a dead language, Latin, as well as numerous
references to contemporary music ranging from Händel to Verdi.
Stravinsky’s opera oratorium reduces the story to its essence, and
underlines in particular the allegorical element in Oedipus’ search for
In Joosten’s staging this ‘drama of purification’ becomes a protest against aggression.
Anthony Rolfe Johnson
Vic De Wachter
Oppressed by an impotent, rich spouse and an authoritarian father-in-law, Katerina Ismailova chooses to embark on a passionate love affair. Because of her hopeless...
Bluebeard’s Castle/Winterreise is a unique combination of two great classical works, whose central theme is human loneliness. In Bartók’s only opera, the...
Not one of the 2065 women who cross his path is capable of resisting Don Giovanni. Conscious of his limited time on earth, the...