Omar Ebrahim

Biografie

Opleiding
Guildhall School of Music and Drama
Royal Shakespeare Company
Glyndebourne chorus (Schaunard/La Bohème, Glyndebourne Touring Opera, 1980)

Specialisatie
Hedendaags muziektheater en opera

Hoogtepunten
Nigel Osborne's The Electrification of the Soviet Union; Tippett’s New Year; Birtwistle’s The Second Mrs. Kong (Glyndebourne Festival Opera), Berio’s Un re in ascolto; Birtwistle’s Gawain (Royal Opera House, London); Hans Jürgen von Bose's 63 Dream Palace; Peter Lieberson's King Gesar (München Biennale, Tanglewood; Stephen Oliver's Beauty and the Beast (City of Birmingham Touring Opera); Nigel Osborne's Terrible Mouth; Jonathan Dove's Siren Song (Almeida Opera); Punch and Judy (Basel Opera); Punch in Punch & Judy, Don Giovanni (Opera Factory); Birtwistle’s Mask of Orpheus (London's South Bank Centre's Birtwistle Festival), 1996; Philip Glass's Satyagraha (South Bank Centre in London); Laman's Agamemnon (Holland Festival); John Casken’s God’s Liar (Almeida Opera, De Munt Brussel); Peter Eotvos’s Angels (Châtelet Theatre Paris); Jonathan Lunn’s Tangier Tattoo (Glyndebourne Touring Opera)

Schaunard/La Bohème, Tobias/Sweeney Todd (New Israeli Opera), Belfiore/Un giorno di regno (Dorset Opera); Marschner's The Vampyr (BBC Television); The Rise & Fall of the City of Mahagonny, Iolanthe, Orlofsky/Die Fledermaus (Scottish Opera); Macbeth (Opera Go Round); Escamillo/Carmen; Der Kaiser von Atlantis (Opera Theatre Company Dublin)

Recente producties
Joseph Pitt/Angels in America (Barbican, London), 2010
The Fool/The  Navigator (Paris, Melbourne, Moskou); Baritone/House of the Sleeping Beauties (Luxembourg, Brussel, Amsterdam), 2008-2009  
Arbeit Nahrung Wohnung (München, Wien, Stuttgart, Venice, Madrid, Berlin)

Werkte in het verleden mee aan

  • De wereld die Stef Lernous creëert met Maeterlincks L’ Intruse als uitgangspunt, is duister en angstaanjagend. Met brokstukken uit het oeuvre van België’s beroemdste...